ASO Blog

Atlanta Symphony Orchestra music director Nathalie Stutzmann likens the orchestra’s next challenge to climbing a mountain, and not just any middling mountain. “For any orchestra in the world, a Beethoven cycle is a Himalaya,” she says. “I think it's incredibly exciting for us, but also for the audience, because it's rare to be able to hear the full symphony cycle plus the Triple Concerto plus the Missa solemnis.”

That’s the marching order for the ASO’s Beethoven Project, which starts Jan. 23 and runs through the fall, culminating, of course, with the Ninth.

As the holidays approach, the Atlanta Symphony Orchestra Chorus (ASOC) gathers to celebrate a cherished tradition: the annual Christmas concert. For many members, this concert is not just a performance; it's a yearly celebration of the chorus' rich legacy and impact within Atlanta's community.

This year marks the Atlanta Symphony’s 50th anniversary of broadcasting our classical series concert recordings on WABE, 90.1 FM. For over five decades, WABE has been instrumental in disseminating these recordings, providing a platform for the orchestra to showcase their talent to a broader audience who could listen from the comfort of their homes.

October, 2024

Elizabeth Koch Tiscione, Atlanta Symphony Orchestra's principal oboist is our featured soloist for Francaix's L'horloge de flore (The Flower Clock). Liz, who joined the orchestra at the age of 21 in 2007, is a part of the rich tapestry-woven artistry of the ASO.

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September, 2024
Written by June Scott. Edited by John Scott and Sally Parsonson

Until his passing in June 2024, Michael Kenady held the distinction of being the longest-serving current musician in the Atlanta Symphony Orchestra. He played the double bass with the ASO for 59 years with all five Music Directors.

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June 1, 2024
By Holly Hanchey

In March of this year, singer-songwriter Faye Webster released her new studio album, Underdressed at the Symphony. Webster is an Atlanta native who is currently on a world tour and was recently featured in a story in Rolling Stone magazine. The title track is about a romantic break-up, with the lyrics, "I'm underdressed at the symphony/Crying to songs/That you put me on."

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